262 Royalty-Free Audio Tracks for "Music Part"

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Piotr Ilyich Tchaikovsky's Overture Solennelle, “1812,” Opus 49 performed by "The President's Own" United States Marine Band on May 26, 2019, at the Wolf Trap National Park for the Performing Arts in Vienna, Va. This concert was part of Wolf Trap's "Summer Blast-Off!" Col. Jason K. Fettig conducting.
Author: Untitled
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01:38
This short sound uses bells, and other outstanding plugins. It is a scene where you can dream and relax. As always, my sounds are free, but i'd like to hear your artworks when using a sound, or part of a sound. Also, it is a pleasure to me, if you're referencing this source in your credits.
Author: Neolein
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02:34
Title/Work: The Dream of Gerontius, Op. 38 Content: God's Presence and His very Self (Part 2, Section 5) Genre(s): Oratorios Author(s)/(Composer(s): Edward Elgar (1857-1934) Music arranger(s): none Lyricist(s): Text from the poem by John Henry Newman (1801-1890) Performer(s): Liverpool Philharmonic Orchestra Conductor: Malcolm Sargent (1895-1967) Place of recording: unknown 1st release date: 1945 1st recording date: 8 April 1945
Author: Untitled
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03:12
This choro music shows the typical improvisation style of the choro players. The music is a variation of the ancient folk theme of northern part of Rio de Janeiro state called "Dança da Urubu" also called "Urubu Malandro", "Samba do Urubu" or "O Urubu e o Gavião". Flute: Pixinguinha (recorded in 1930).Português: Esta gravação mostra o típico estilo de improvisação do choro. A música é uma variação da música folclórica chamada "Dança do Urubu", oriunda do norte do Estado do Rio de Janeiro. Em 1914 foi gravada pela primeira vez a música, com o nome de "Urubu Malandro", pelo chorão conhecido como Louro. Pixinguinha, em 1930 gravou com sua flauta esta variação, com o nome de "O Urubu e o Gavião"
Author: Pixinguinha, publicado pela gravadora Victor em 1930
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04:17
Title/Work: Cantate No. 189 (BWV 189) Content: Disc 23A: Meine Seele rühmt und preist (Part 1) Genre(s): Cantata Author(s)/(Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Max Meili (1899-1970) Conductor: Curt Sachs (1881-1959) Place of recording: Paris (France) 1st release date: 1935 1st recording date: 1935
Author: Untitled
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00:60
Music part i made in garageband for something called victors crypt. Drums, keyboards and bass recorded with delay and effects. Think it would fit perfectly to anything creepy and mysterious. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool, subscribe to and watch victors crypt:https://youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.
Author: Victor Natas
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02:16
Oskar Böhme's Sextet in E-flat minor II. Scherzo, Allegro vivace performed by the United States Marine Band's Marine Brass Sextet on July 16, 2020, in John Philip Sousa Band Hall in Washington, D.C. as part of the Marine Band's "Live from 8th and I" summer virtual concert series.
Author: Untitled
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06:10
Oskar Böhme's Sextet in E-flat minor I. Adagio ma non tanto, Allegro molto performed by the United States Marine Band's Marine Brass Sextet on July 16, 2020, in John Philip Sousa Band Hall in Washington, D.C. as part of the Marine Band's "Live from 8th and I" summer virtual concert series.
Author: Untitled
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00:38
Part 3 (a drum cadence) of a basic outdoor parade sequence performed by the Ceremonial Band of the United States Air Force Band of the West. Track 13 from Facets! (1992). Captain Steven Grimo, Commander. Lieutenant Danny Varella, Vice Commander.
Author: Composition: traditional; Performance: United States Air Force Band of the West, Ceremonial Band; Recording: United States Air Force
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04:04
The philharmonie organ from welte, freiburg in germany, was built for the luxury liner "titanic" but it was not finished on time and thereby escaped the sinking of the ship on april, 14, 1912. The organ is part of the "deutsches musikautomatenmuseum bruchsal" http://www. Dmm-bruchsal. De/. Recording: tascam hd-p2 and beyerdynamic mce82;soundsystem: pro tools le.
Author: Ohrwurm
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01:06
It is a part (first oikos) from christams' kontakion of romanos the melodist. The lyrics are written in the greek language. At the ends of the periods of the lyrics, i am doing a small cadence (half or full). Lyrics of the whole kontakion in greek: http://users. Uoa. Gr/~nektar/orthodoxy/prayers/kontakia_xristoygennwn. Htmsee the english translation of the lyrics here: https://jbburnett. Com/resources/romanos_nativity. Pdf.
Author: Polykarpospolykarpidis
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02:50
Title/Work: Sonata No.18 in E-flat major Opus 31 No.3 Content: No.3: 2nd Movement (1st part) - Scherzo (Allegro vivace) Genre(s): Piano sonata Author(s)/(Composer(s): Ludwig van Beethoven (1770-1827) Music arranger(s): none Lyricist(s): none Performer(s): Pianoforte solo: Claudio Arrau (1903-1991) Conductor: none Place of recording: London, EMI Studio No. 3, Abbey Road 1st release date: 1947 1st recording date: 10 January 1947
Author: Untitled
00:00
02:27
1st release date: 1932 1st recording date: 18 May 1931 Place of recording: Teatro alla Scala, Milan (Italy) Author(s)/Composer(s): Georges Bizet (1838-1875) Lyricist(s): Henri Meilhac (1831-1897) and Ludovic Halévy (1834-1908) Music arranger(s): none Conductor: Carlo Sabajno (1874-1938) Performer(s): Gabriella Besanzoni (1888-1962), mezzo-soprano, Enrico Spada (1885-?), basso, Nerina Ferrari (1907-?), soprano, Tamara Beltacchi (1898-?), mezzo-soprano and members of the La Scala Theatre Orchestra and Chorus Vocal range: Bass, Mezzo-Soprano, Soprano, choir and orchestra accompaniment Title/Work: Carmen (opera) Content: Part 15: Act 2: Or ben, Pastià desia (Senor Pastia declares) Genre(s): Opera terminology
Author: Untitled
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00:30
Part 7 (four ruffles and flourishes and "General's March") of a basic outdoor parade sequence performed by the Ceremonial Band of the United States Air Force Band of the West. Track 16 from Facets! (1992). Captain Steven Grimo, Commander. Lieutenant Danny Varella, Vice Commander.
Author: Composition: traditional; Performance: United States Air Force Band of the West, Ceremonial Band; Recording: United States Air Force
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00:24
Part 4 (one ruffle and flourish and "General's March") of a basic outdoor parade sequence performed by the Ceremonial Band of the United States Air Force Band of the West. Track 14 from Facets! (1992). Captain Steven Grimo, Commander. Lieutenant Danny Varella, Vice Commander.
Author: Composition: traditional; Performance: United States Air Force Band of the West, Ceremonial Band; Recording: United States Air Force
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00:26
Part 5 (two ruffles and flourishes and "General's March") of a basic outdoor parade sequence performed by the Ceremonial Band of the United States Air Force Band of the West. Track 15 from Facets! (1992). Captain Steven Grimo, Commander. Lieutenant Danny Varella, Vice Commander.
Author: Composition: traditional; Performance: United States Air Force Band of the West, Ceremonial Band; Recording: United States Air Force
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03:37
Part 10 (a drum cadence followed by "National Emblem") of a basic outdoor parade sequence performed by the Ceremonial Band of the United States Air Force Band of the West. Track 20 from Facets! (1992). Captain Steven Grimo, Commander. Lieutenant Danny Varella, Vice Commander.
Author: Composition: Edwin Eugene Bagley; Performance: United States Air Force Band of the West, Ceremonial Band; Recording: United States Air Force
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01:20
Part 9 ("The Star-Spangled Banner") of a basic outdoor parade sequence performed by the Ceremonial Band of the United States Air Force Band of the West. Track 19 from Facets! (1992). Captain Steven Grimo, Commander. Lieutenant Danny Varella, Vice Commander.
Author: Untitled
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00:28
Part 6 (three ruffles and flourishes and "General's March") of a basic outdoor parade sequence performed by the Ceremonial Band of the United States Air Force Band of the West. Track 16 from Facets! (1992). Captain Steven Grimo, Commander. Lieutenant Danny Varella, Vice Commander.
Author: Composition: traditional; Performance: United States Air Force Band of the West, Ceremonial Band; Recording: United States Air Force
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00:05
Items used:• electric guitar: cort x100 open pore black• guitar pedal: ksr ceres (ceres – 3ch preamp pedal – ksr amplification®). The file is phased. The right channel is delayed 25 ms (milliseconds). It is part of my death metal guitar folder pack.
Author: Veiler
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00:38
A music part i did in garageband for something called victors crypt. Made drums and a synth-melody first. Added flute and more to make it even more vivid. Think it would suit anything spooky. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool, subscribe and watch victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.
Author: Victor Natas
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02:41
1st release date: between 1928 1st recording date: 13 July 1928 Place of recording: C Studio, Small Queen’s Hall, London (United Kingdom) Author(s)/Composer(s): Joseph Haydn (1732-1809) Lyricist(s): none Conductor: John Barbirolli (1899-1970) Performer(s): Guilhermina Suggia, Cellist (1885-1950) Vocal range: instrumental Title/Work: Cello concerto in D major Content: 3rd Movement (2nd Record) Allegro (Part 6) Genre(s): Cello concerto
Author: Untitled
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02:19
The military song "Genkō" written and composed by Kenshi Nagai. Sung by Tamaki Tokuyama and the JVC Male Chorus, performed by the JVC Brass Band. By JVC, October 1937. The "Genko" part of the original sound.日本語: 永井建子作詞・作曲の軍歌『元寇』。歌唱は徳山璉・日本ビクター男声合唱団、演奏は日本ビクター吹奏楽団。ビクター、1937年10月。元音声の『元寇』の部分。
Author: Untitled
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00:06
It's my voice and i sing do, re, mi, fa, sol for my game. You can change the file as mix, like nightcore version, child version, chorus version, funny man version, etc. In my christmas game, i need voice for my 5 little angels sing for hints( that's the reason why i only sing 5 music notes), just edit the file from each part!. And i record it only use microsoft audio recorder application( default application).
Author: Shuinvy
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11:60
This was recorded as part of a tracking shot for a project i did a few years ago. It starts off from the exterior of a fancy london pub around the primrose hill area, walking in to a fairly packed establishment. It tracks movement into different parts of the pub. There's fairly prominent music for the first half but it eases off to barely audible later on in the audio. A few minutes in, you'll hear the bartender announce the price (6. 95) a couple of times. Recorded on zoom h6 with x/y capsule.
Author: Mdayalan
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03:50
Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.  
Author: (See Musopen for author information)
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07:07
Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.  
Author: (See Musopen for author information)
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02:22
1st release date: 1937 1st recording date: 1943 Place of recording: London, United Kingdom Author(s)/Composer(s): Ludwig van Beethoven (1770-1827) Lyricist(s): none Conductor: Arturo Toscanini (1867-1957) Performer(s): BBC Symphony Orchestra Vocal range: instrumental Title/Work: Symphony No. 6 in F major, Op. 68 (Beethoven) Content: 1st Movement (Awakening of serene Impressions upon arriving in the Country): Allegro ma non troppo (Conclusion) Genre(s): Symphonic
Author: Untitled
00:00
02:49
1st release date: 1935 1st recording date: 7 September 1934 Place of recording: EMI Studio No.1, Abbey Road, London (United Kingdom) Author(s)/Composer(s): Ludwig van Beethoven (1770-1827) Lyricist(s): none Music arranger(s): none Conductor: Serge Koussevitzky (1874-1951) Performer(s): London Philharmonic Orchestra Vocal range: instrumental Title/Work: Symphony No. 3 in E-flat major, Op. 55 Content: 2nd Movement (Part 2): Marcia funebre (Adagio assai) Genre(s): Symphonic
Author: Untitled
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01:10
Part 8 (a drum cadence followed by the last strain of "The Stars and Stripes Forever") of a basic outdoor parade sequence performed by the Ceremonial Band of the United States Air Force Band of the West. Track 18 from Facets! (1992). Captain Steven Grimo, Commander. Lieutenant Danny Varella, Vice Commander.
Author: Untitled
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01:07
I created this instrumental while i was messing around on audacity one day and i actually used it to record a song called "erbie bowser" feel free to look it up on youtube. The instrumental includes whistles, claps and a voice loop all performed by myself. The only un-authentic part added was a risset drum. Feel free to use this for whatever i request that you give me credit if you chose to do so.
Author: Blainksaint
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01:08
This was meant to be a part of a track i was working on, but ended up getting caught up in something else. So, i decided to give this away to those of you who may have use for it. The most important effect used to make this was absynth 5's atherizer. If anyone needs any of my sounds (or sounds not yet uploaded) customized to meet their preferences, please feel free to let me know, and i'll see what i can do.
Author: Caderesounds
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00:02
Opening and closing the cutlery drawer. -----------these sounds are part of the compose with sounds kitchen soundpack. Compose with sounds is a software program for young composers (and composers of all ages) who would like to learn how to compose with sounds, and not focus on the traditional manner of music making with notes. Compose with sounds is available free of charge. It runs on mac osx (from 10. 6), windows xp and windows 7. For more information and to download the software visit: http://cws. Dmu. Ac. Uk/en/1.
Author: Ahill
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00:09
Car driving past on a quiet lane. -----------these sounds are part of the compose with sounds external soundpack. Compose with sounds is a software program for young composers (and composers of all ages) who would like to learn how to compose with sounds, and not focus on the traditional manner of music making with notes. Compose with sounds is available free of charge. It runs on mac osx (from 10. 6), windows xp and windows 7. For more information and to download the software visit: http://cws. Dmu. Ac. Uk/en/1.
Author: Ahill
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03:02
Harp player from gambia, africa playing the chora, a typical harp used in gambia or senegal, in western africa, by the so called "griot", a singer, storyteller, singing songs and stories, thus beeing part of the oral tradition of his country and people. The recording was made during the berlin carnival of cultures in the summer of 2011, the harp player and the drummer (djembe) were sitting among the crowd of listeners open air at the bluecher platz. Zoom h4n.
Author: Reinsamba
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03:28
Modern Music from Psalm Singer's Amusement by William Billings (1781). Lyrics: we are met for a Concert of modern invention To tickle the Ear is our present intention Audience are seated expecting to be treated with a piece of the Best with a piece of the best & since we all agree to set the tune on E the Authors darling Key he prefers to the rest let the Bass take the Lead & firmly proceed till the parts are agreed to... let the Tenor succed & follow the Lead till the parts are agreed to... let the Counter inspire the rest of the choir inflamed with desire to... let the Treble in the rear no longer forbear but expressly declare for a... ...fuge away then change to brisker time & up the Ladder climb & down again the mount the second time & end the strain then change the Key to pen five tones & flow in Treble time the Notes exceeding low keep down awhile then rise by slow degrees the process surely will not fail to please Thru Common & Treble we jointly have run we'll give you their Essense compounded in one all though we are strongly attached to the rest six four is the movement that pleases us best that pleases us best six four is the movement that pleases us best & now we address you as Friends to the cause performers are modest & make their own laws although we are sanguin & clap at the Bang the part of the hearer's to clap their Applause to clap their applause the part of the hearer's to clap their Applause
Author: William Billings
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00:33
A music part i did in garageband for a thing called victors crypt. I started with the drums. Once i made a beat i liked i added a choir singing "fading into the night". After that i added more synth-sounds and guitar to make it feel more spooky. Would suit anything creepy i think. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!//v. Natas.
Author: Victor Natas
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00:57
A music part i did in garageband for something called victors crypt. I borrowed a crazy laughter here on freesound to begin the tune with. After that i made a beat and some guitars over it. I kept adding sounds to get a spooky cool vibe. Could be useful for intros/outros, pods or whatever. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!. //v. Natas.
Author: Victor Natas
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02:33
1st release date: 1937 1st recording date: 29 November 1936 Place of recording: Abbey Road Studios, EMI Studio No. 1, Abbey Road, London (United Kingdom) Author(s)/Composer(s): Luigi Boccherini (1743-1805) Lyricist(s): - Conductor: Landon Ronald (1873-1938) Performer(s): Pau Casals (Cello) (1876-1973) and the London Symphony Orchestra Vocal range: instrumental Title/Work: Cello Concerto in B-flat major, G.482 Content: 3rd Movement (Part 1): Rondo (Allegro) Genre(s): Cello concerto Comments: RCM and ELP
Author: Untitled
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52:08
The Shadow over Innsmouth, H. P. Lovecraft Part II "There was only one person in sight—an elderly man without what I had come to call the 'Innsmouth look'—and I decided not to ask him any of the questions which bothered me; remembering that odd things had been noticed in this hotel... One side of the cobblestoned open space was the straight line of the river; the other was a semicircle of slant-roofed brick buildings of about the 1800 period, from which several streets radiated away to the southeast, south, and southwest."
Author: Bull of Heaven
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00:25
A thrilling music part based on strings and guitars. Made in garageband for something called victors crypt. Could be used in something fearful and creepy. Like a horror film or a mysterious pod for instance. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.
Author: Victor Natas
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00:12
Short comment about why i donate to a nonprofit student-oriented radio station (c89. 5/knhc) operated from nathan hale high school in seattle, wa (us), for possible airplay - but maybe useful (in whole/part) for your creative project. Recorded into adobe audition using a blue snowball usb mic, with some (hopefully minor/not noticeable) noise reduction. Phonetic word list for possible clip extraction: my name is stuart jay whitmore and i'm a writer in the seattle area i donate monthly to see eighty nine point five because support educational mission also like listening to music while work on books.
Author: Jppi Stu
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01:25
Ocean waves recorded from between two rocks. Recorded on a zoom h4 with the mics covered in zeppelin fur at 44100 hz 24-bit. There's some slight wind noise that can be filtered from 150hz downward. This is part of a series of recordings for an ambient music project i'm working on. There are some excellent ocean recordings on freesound if you're looking for a more traditional ocean sound, but my intent with these clips was to try to capture some natural phase-shifting by placing the h4 in cracks and crevices for a more hollow, "closed-in" sound.
Author: Greysound
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00:32
Music i made in garageband for something called victors crypt!. Made a melody on organ along with a steady pumping bass. The mid part is a bit "flippet out" before it gets locked in and back againfeel free to use it. Could be useful in anything cool, intro, outro, game, dark, eerie, spooky, creepy, scary, horrific,mysterious, crime-ish, thrilling or whatever comes to mind. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool, watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.
Author: Victor Natas
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00:36
This is a clip of various engine sounds recorded on my 2003 subaru impreza wrx with a 3" turbo-back exhaust system. The audio starts with the engine at idle and includes a few engine revs at different rpms. You can hear some turbo whistling and also some rattling of god-knows-what parts. It's a little muffled (kind of a muddy sound), but could be used as part of an action sequence or with a music track laid over. As always, i love knowing how people use my tracks! i'd appreciate a comment letting me know what kind of project you're doing and, if possible, a link to any finished work! thanks.
Author: Ulosepiranha
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00:43
maze (looking for the exit) is a short piece of mysterious music i made in garageband for a thing called victors crypt. I kept it basic and made a melody on synth. Played around with it with different sounds and added drums and bass. Just a simple little instrumental part that could fit a spooky 'n eerie project. Could be perfect for an intro, outro, something spooky and cool, suspence, sci-fi, futuristic, mysterious or whatever you feel like. . . . Let the imagination run wild. Feel free to use it as you like as long as you subscribe to and watch my channel! if you wanna use it in your music and gonna release it, ask me first. Be cool watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.
Author: Victor Natas
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01:13
Did this little piece of dark instrumental music in garageband for a thing called victors crypt. Came up with this drumbeat and added strings, guitar, bass and piano on top of it. Named it "darkest hour" cause it has this dark doomy "world is going under"-element to it i think. Think it would work great to a game, youtube-channel, episode, movie or whatever you feel like. Could be perfect in a creepy part for instance. Feel free to use it as you like as long as you subscribe to and watch my channel! if you wanna use it in your music and gonna release it, ask me first. Don't wanna see my music copyrighted by someone else of course. Be cool watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.
Author: Victor Natas
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00:19
Rootsy solo mandolin cue, part of a "matched set" to be used in different places in a podcast, radio show, or video. The set contains segments from a second or two up to about a minute, to be used for cues, hits, bumps, interstitials and voiceovers. The music is a roundback mandolin from 1900 improvising in the key of g. The feel is uptempo, traditional, natural, organic, old time, americana. I'd be grateful for feedback on what worked and what didn't. How is the sound quality? are there lengths of cue that you needed that weren't here?. I'm happy to do custom recordings to fill in the gaps. My music blog is at http://soupgreens. Om. My email address is lucas@gonze. Com.
Author: Lucasgonze
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00:39
A dark bit of music i made in garageband for something called victors crypt!. It's basically two guitars with a lot of twang and reverb doing the main part. A piano is lying on a massive chord with some tones in between. It's dark, eerie and full of murderous vibes. Could be useful in anything cool, intro, outro, game, dark, eerie, spooky, creepy, scary, horrific,mysterious, crime-ish, thrilling or whatever comes to mind. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool, watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.
Author: Victor Natas
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00:18
A short music part with a touch of horror and suspence i made in garageband for something called victors crypt. I think this would be perfect to anything frightening, mysterious, paranormal or horrific. Could be used as an intro for instance. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.
Author: Victor Natas
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